Archive for category Movies

What’s Playing

I like movies. The fruit of the Murphy Loins are old enough that I can go see movies without them. I don’t see that many movies. What’s wrong with this picture?

Hollywood.

Hollywood has real difficulty in making good movies. I don’t expect lots of great movies to be made every year — I’m happy with one or two. Of course, some years it’s zero. But that’s a reasonable expectation for greatness in film making. The trouble is all those other movies.  Look what’s playing now in box office order:
(1) The Amityville Horror. A remake of a poor horror film — that’s a prescription for a winner.
(2) Sahara — Uh, is this something different than the remake of The Flight of the Phoenix?
(3) Fever Pitch — The Farrelly Brothers, could be good, but Jimmy Fallon, not too likely.
(4) Sin City — Frank Miller and Robert Rodriguez! I’d love to go see this one, but I doubt I could ever get the wife to go. I’ll have to see if guys night at the movies can be brought back.
(5) Guess Who — A remake. The female half of the family saw this while the male half was doing chess. My daughter liked it but my wife thought it stunk. 
(6) Beauty Shop — A copy. I’m completely the wrong demographic for this one.
(7) Robots — My brother saw this one and was not impressed. This is a common problem – a movie that promises a lot but only delivers a little. I much prefer the ones that promise a little but deliver a lot.
(8) Miss Congeniality 2 — a sequal. Could be good, love Sandra, but realistically not a must see movie.
(9) The Pacifier — I can’t admit in public that I’d like to see this movie.
(10) The Upside of Anger — This could be my kind of movie, but it has chick flick written all over it. That was the great thing about Tin Cup – it looked like a chick flick in the previews, but it was really a guy film when you saw it.

Is this really a lineup that inspires you to see more than 2 movies? 5 out of the top 10 is what they should be shooting for, but they can’t get there.

And The Award Goes To …

I watched the beginning and the end of the Oscars last night mainly because the funWife likes to watch. I found Chris Rock lame, although in his defense I have to say that he wasn’t the right guy for the job. Oh, he got some mercy laughs, he got some political laughs, and he got some nervous shock laughs when he said a naughty word (it reminded me of watching Richard Pryor’s Live on the Sunset Strip and hearing people laugh whenever Richard said F**K, which he said a lot). But as my wife said, why can’t they keep Billy Crystal as host. I only enjoyed his bit about Russell Crowe and his short film interviewing movie goers (Albert Brooks was priceless). But the thought behind they should only make movies if a top star is in them — has he lost his mind? Yeah, no Jude Law and people will flock back to movies.

The real problem though isn’t the emcee, despite the best efforts of the producers to get people who shouldn’t be. It’s the whole concept and system. First off, there are only 6 awards people care about: Best Picture, Best Director, Best Actor, Best Actress, Best supporting Actor, and Best Supporting Actress. Other than that, who cares? So why take 3+ hours to hand out six awards. 

We only care about them because of Hollywood’s star system though, which was on clear display last night. Four castes were segregated last night — the stars, who got to remain in their seats while the presenters read off the winner; the mere mortals, who had to stand on stage; the lesser mortals, who sat in their seats; and the untouchables, who were presented their awards at a completely different ceremony. I love how the technical people, the ones who are really responsible for the film going experience, are kept separate and how the academy always picks some young starlet to be the emcee for those awards.

The only point of the Oscars is marketing, yet they are wrapped in the mantle of Art. Who is a great actor? Well, guys like Harrison Ford and Mel Gibson have made very popular movies (and some unpopular and lousy ones) and can open a movie, yet how many times have you seen them at the Oscars? Hillary Swank now has two Oscars, and I have to honestly say I’ve never seen her in a movie. Sure, there are movies like Lord of the Rings which are both big money makers and Art in every sense of the word, but they don’t come around often enough.

And that leads me to my last point — Hollywood will make a glittering corpse, and soon. Here is an industry that has a hard time making a good product, and when they do, it often isn’t recognized as such by the industry itself. No, this isn’t an appeal for White Chicks to win an award. But it is an appeal for Hollywood to take itself less seriously and make better movies — more like Sideways, fewer like Oceans 12. I like movies, but I don’t see that many good ones anymore. The really disappointing thing is that the technology has really broadened the horizons of what’s possible, but Hollywood seems capable of only turning out at most one superior movie a year — mostly through sheer determination on the filmmakers part, which indicates it’s despite the system, not because of it.

Hollywood – you’re leaving a lot of money on the table.

Tags:

Hello. Remember Me?

Contrary to the rumor started by my lack of posting, I haven’t been spirited off to a secret bunker. I have changed projects at work and life has been busy – in other words, situation normal. I managed to see two, count ’em two movies last weekend at the movie theater. That hasn’t happened since, well, since seeing two movies in one weekend wasn’t a big deal. First up was a family outing to see Sky Captain and the World of Tomorrow which was a fantastic B movie — a whole lot of fun and not much else. Then we saw Shall We Dance?” with friends. I enjoyed the movie, a mix of comedy and drama with Richard Gere for the ladies and J Lo for the gentlemen. I can recommend both movies.

A New Discovery

I was watching Singing In The Rain with my daughter tonight. I take the position that no matter how much I have to do, if my 13 year old daughter wants to spend time with the old man, I spend it. And I’m a big fan of the movie. Anyway, we tuned in at the start of the “Moses Supposes” song, and when we got to the “Gotta Dance” number, I was struck by a thought (I assure you, I’m used to it so it doesn’t hurt when it happens). 

There is an amazing structural similarity between musicals and action flicks. In musicals, they periodically sing for no particular reason; in action flicks, they periodically do violence for no particular reason. In musicals, they have these large, elaborately staged production numbers that may or may not have anything to do with the plot or characterization, but they sure are fun; in action flicks, they have these large, elaborately staged action sequences that may or may not have anything to do with the plot or characterization, but they sure are fun. In fact, musicals often have the flimsiest of plot and characterization, and stuff is added clearly not because they make any sense but for their worth as spectacle — which is just like action flicks. No musical would be complete without a buddy and the guy getting the girl in the end, which is also the standard for action flicks.

You could remake Singing In The Rain as an action movie very simply – snip out all the singing and dancing and replace it with violence and explosions and you’d be done. Then I could watch that version with my 10 year old son.

Small Comfort

I suppose MM’s new movie is the big news. I admit I was disturbed to learn that grown women and men plunked down something like $22 million dollars to see the fraud this weekend. But then I realized that the Nigerian 419 scam grosses hundred of millions of dollars annually, year after year, despite (because of?) its obvious nature. Of course, the 419 scam appeals to one’s greed, while Moore’s 911 scam appeals to one’s hate, but they’re both such obvious fakes it makes you wonder.

I’m sure you’ve already seen Beautiful Atrocities’ reviewer quote roundup comparing what the reviewers said about Fahrenheit 911 compared to The Passion of the Christ. Even movie reviews are tainted by media bias. My own hometown St. Louis Post-Dispatch has a nutty marxist who hasn’t met a conspiracy theory he doesn’t believe as its lead reviewer. Speaking of Mel Gibson’s movie, what happened to all that anti-semitism it was supposed to spark? Why does anybody believe anything the media says? 

Troy

I saw Troy for my Anniversary (16 years, thank you very much), and the rest of the celebration was better than the movie. It’s an open debate whether O Brother Where Art Thou or Troy is most faithful to Homer, although Troy should get the nod because it is set in the same time and location with the same costumes as the original.

Actually, I’m being unfair to Troy which does a reasonable job of being faithful to Homer even though the screen credit notes it as only being “inspired” by The Iliad. I have to admit I didn’t think it was as faithful until I got down my Bulfinch and read his synopsis — I’d forgotten a lot. You cannot convert a novel to a movie and keep every character and plot line. And not everything works as well on the page as on the screen, and vice versa. So it was with sadness but understanding that Penthesilia and her Amazons, nor any of Troy’s allies, did not make an appearance. And I appreciate that Troy begins before the war and lasts about 16 days while The Iliad begins in year 9 of a ten year war. The original Greek audience knew about the run up and initial part of the war; for us, most people know a few names and nothing more. 

Continue at your own peril — there be spoilers!

An odder decision was to eliminate the Greek gods altogether except to mock them and their followers. In The Iliad, as in all classical Greek literature, the gods don’t just take an interest, they take an active role. It was a welcome surprise to have Aeneas pop up at the end with an unidentified old man at his side whom I guessing is Anchises, but he was too young. It was almost like they were setting up The Aeneid as a sequel. Helen was appropriately gorgeous, and Hector was, if anything, even more sympathetic and heroic than in the original. Yes, I was annoyed with the way Achilles lived too long, Menelaus didn’t live long enough, and Agamemnon got his the Hollywood way, not in the bath by his wife and her lover — although to be fair that wasn’t in The Iliad.

But the movie is hard to enjoy because the people you most want to root for are the Trojans, and they lose. The way the movie is structured, it is a Greek Tragedy with Hector as the tragic hero, and his fault is his love for his brother Paris. It’s a modern twist on the form to not have a vice as the downfall, but a virtue. Twice Hector does what he knows to be wrong — continue from Sparta with Helen and kill Menelaus — and both times it is to save his brother. The other problem is that while structurally Hector is the hero, the movie is a star vehicle for Brad Pitt, and so he soaks up screen time. It wouldn’t have been too bad, but the truth is he can’t act. Women tell me he’s attractive — he’s too girly for my tastes — and he’s buff enough, but he’s a blank slate. His expression randomly varies from blank to a grimace of mild I don’t know what. Eric Bana as Hector – he can act. Achilles may kill Hector in the movie, but Eric kills Brad in acting. Peter O’Toole has his great scene as Priam where he begs Achilles for Hector’s body wasted because he’s playing against an inscrutable Pitt.

The score was wretched as well – I noticed it, and everyone in the theatre did too.

Tags:

Movie Madness

One of the joys of vacation for The Murphy Family is seeing movies. It is a long tradition for us, and we have improved on it in recent years by seeing two movies near simultaneously: a kids movie and a grown up movie. Our sojurn in Memphis was no different. So while the Fruit of the Murphy Loins enjoyed the latest Scoobie Doo movie, the Fearless Leaders watched Jersey Girl — chosen mainly for scheduling reasons. The Fruit have seen very few kids movies they didn’t like; I wish the Fearless Leaders could say the same about their movie choices. While Jersey Girl wasn’t bad, ultimately, it wasn’t good either.

Hollywood makes a lot of movies every year, yet only 4 or 5 are worth seeing. As we watched the trailers proceeding the movie, I was struck repeatedly by the thought “who in their right mind would think people would want to watch this hunk of junk?” A tidal wave of movie crap washes over us. There is a reason video games have passed up movies at making money. I don’t know if there ever was a true golden age of Hollywood movies, but it today it seems the industry is driven less by the desire to make a buck and more by the desire to pamper stars. How many lousy Kevin Costner pictures were made flattering his ego and confirming that he is completely out of touch? The star system in both movies and sports (another industry where stars are overpaid and overpraised) is worsening the product.

The Academy Awards

The low point of the proceedings had to be Michael Moore winning the award for best documentary; the high point had to be Michael Moore being booed offstage and Steve Martin making a joke about him. Parade magazine reported that Richard Gere wasn’t nominated for his role in Chicago because some members of the Academy didn’t want to listen to his politics — the problem is that Richard has been known to decry China’s occupation of Tibet (Richard is a Buddhist). C’mon Richard, get with the program: America is the problem in the world today, and the Republicans are the problem with America.

Chicago won big. I managed to get a couple of spare minutes together the other week and saw it. Outstanding singing and dancing, but the movie is completely cynical and lacks even one character that provokes a reaction more friendly than disgust. The Pianist also won big, which goes to show that the academy doesn’t hold drugging 13 year olds and then having sex with them against you. They’ve moved on. I was disappointed that the Two Towers didn’t garner more awards, but maybe its better to make a ton of money and not win an award than to lose a ton and win big.

Tags: ,

Big Year For Hollywood

2002 was a banner year for Hollywood, with the number of admissions rising to record levels and a gross take of 9.5 billion dollars (I have to stop using the 6 billion I used to quote). Spiderman, Star Wars, Lord of the Rings, Harry Potter, and My Big Fat Greek Wedding were the top five grossers. Guess what, none of the top 20 films were rated R. I like a good grownup movie, but Hollywood has a hard time making good grownup movies. 

The attendance figures don’t add up for me — 99 percent of the movie going public is over the age of 12. All those family movies and nobody under 12 — are the Fruit of the Murphy Loins the only two kids under 12 going to movies? And the 17% who are 50 and over — they all go to rush hour shows in St. Louis in my experience. Since half the audience is under 30, I don’t feel so bad about all the movies I have no interest in seeing — they weren’t made for me.

It’s A Wonderful Life

Read a wonderful review of a wonderful movie at a wonderful site.